* Japanese*
2002/07 , Yunnan University , Chinese Language & Literature , Chinese Language and Literature , Graduated , CHINA
2010/08 , the University of Hong Kong , Comparative Literature , Film Studies , Doctor Course , Completed , CHINA
2005/07 , the University of Amsterdam , Film Studies , Master Course , Completed , NETHERLANDS
2006/07 , Yunnan University , World Literature and Comparative Literature , Comparative Literature , Master Course , Completed , CHINA
postdoctoral researcher , 2011/09 - 2013/08
Bachelor of Arts , Yunnan University , Coursework , 2002/07
Master of Arts , the University of Amsterdam (Holland) , Coursework , 2005/07
Master of Arts , Yunnan University (PRC) , Coursework , 2006/07
Doctor of Philosophy , the University of Hong Kong (PRC) , Coursework , 2011/11
film studies, film festival studies
East Asian Film Cultures in the Post-Cold War Era: Film Festivals and their Transnational Network , Grant-in-Aid for Young Scientists(B) , 2015/04 - 2018/03
Spectacles, showcases, marketplaces (and even public spheres): Chinese film festivals as cultural industries , Ran Ma,Cindy Hing-Yuk Wong , Handbook of China's Cultural and Creative Industries , 320-359 , (2016)
A Genealogy Of Film Festivals In The People's Republic Of China: Film Weeks During the Seventeen Years (1949-1966) , Ran Ma , New Review of Film and Television Studies , (2015)
Regarding the Grassroots Chinese Independent Film Festivals : Modes of Multiplicity and Abnormal Film Networking , Matthew D. Johnson, Luke Vulpiani, Keith B. Wagner, Kiki Tianqi Yu eds. , China's IGeneration: Cinema and Moving Image Culture for the Twenty-first Century , 235-253 , (2014)
Asian Documentary Connections, Scale-making, and the Yamagata International Documentary Film Festival (YIDFF) , Ran Ma , Transnational Cinemas , 1-17 , (2017)
Contesting the National, Labelling the Renaissance: Exhibiting Taiwan Cinema at Film Festivals in Japan since the 1980s , Ran Ma , Taiwan Cinema, International Reception and Social Change , 53-68 , (2017)
Flight of the Magic Kite: Internationalist Collaboration and Sino-Foreign Coproduced Films in the 1950s. , Ran Ma , The Association for Asian Studies Annual Conference 2017 , 2017 , Oral Presentation , Aesthetics and studies on art , Other
Rethinking Asian Transnational Independent Cinema: From Dahuang Picture's Malaysian New Wave to Midi Z's Homecoming Myanmar , Ran Ma , Global Asia: Critical Aesthetics and Alternative Globalities symposium , 2016 , Oral Presentation , Aesthetics and studies on art , Other
The Asian Documentary Connections: from Yamagata International Documentary Film Festival (YIDFF) to Asian Network of Documentary (AND)" Panel of Festival Mobilities: Movement, Movements , Ran Ma , Society Of Cinema and Media Studies Conference (SCMS) , 2016 , Oral Presentation , Aesthetics and studies on art , Other
A Landscape Over There:Positioning the Border-crossing Cinema of Zhang Lu's , Kim Soyoung , Korean Cinema in a Transnational Context: Chinese-Korean Connections and Beyond , 2014 , Oral Presentation
Programming China: a Comparative Study of the Programming of Chinese-language Films at the Hong Kong International Film Festival , Chris Berry , Chinese Film Festival Research Network Workshop , 2014 , Oral Presentation
Coproducing Asia: Locating Japanese-Chinese Regional Film and Media.STEPHANIE DEBOER.Minneapolis and London:University of Minnesota Press,2014 , 2014/09 , Policy Recommendation, Commentary Explanation, and Book Review, etc
Asian Cinema History II （2017）
Graduate Seminar: Cinema theory and practice II （2017）
The Association for Asian Studies member , 2016/11 - , UNITED STATES
Society of Cinema and Media Studies Member , UNITED STATES
American Comparative Literature Association member , 2015/11 - , UNITED STATES
Updated on 2019/04/24
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