Papers - MA Ran
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‘Think Like an Archipelago’——Regarding the Japanese-Chinese Independent Film Culture Connections (1989-2020) Invited Reviewed
Ran Ma
Chinese Independent Cinema Observer ( 1 ) page: 8 - 21 2021.5
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Eigasai Inside Out: Programming Japanese Cinema at Overseas and Japanese Film Festivals Today Invited Reviewed
Edited by Fujiki Hideaki & Philip Alastair
page: 164 - 178 2020.5
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Reminiscences of a journey to Okinawa: landscape film as essay, and Takamine Gō’s Okinawan Dream Show (1974)
Ran Ma
Journal of Japanese and Korean Cinema Vol. 13 ( 1 ) page: 4 - 21 2021.1
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記憶と身体を乗り越える──東北ドキュメンタリー三部作とポスト・福島ドキュメンタリー Reviewed
『〈ポスト 3.11〉メディア言説再考』 page: 283-302 2019.2
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In/visibility in post-war Okinawan images 1 Invited Reviewed International coauthorship
Ran Ma & Kosuke Fujiki
Journal of Japanese and Korean Cinema Vol. 13 ( 1 ) page: 1 - 3 2021.5
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A Landscape Over There: Rethinking Translocality in Zhang Lu’s Border Crossing Films. Reviewed
Vol. 4 ( 1 ) page: 111-132 2018
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A genealogy of film festivals in the Peoples Republic of China: Film weeks during the Seventeen Years (1949-1966) Reviewed
Ran Ma
New Review of Film and Television Studies Vol. 14 ( 1 ) page: 40 - 58 2016.1
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In/visibility in post-war Okinawan images 2 Invited Reviewed
Kosuke Fujiki & Ran Ma
Journal of Japanese and Korean Cinema Vol. 13 ( 2 ) page: 97 - 98 2021.11
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Asian Documentary Connections, Scale-making, and the Yamagata International Documentary Film Festival (YIDFF) Reviewed
Ran Ma
Transnational Cinemas page: 1-17 2017.9
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Spectacles, showcases, marketplaces (and even public spheres): Chinese film festivals as cultural industries Invited Reviewed
Ran Ma,Cindy Hing-Yuk Wong
Handbook of China's Cultural and Creative Industries page: 320-359 2016
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Regarding the Grassroots Chinese Independent Film Festivals : Modes of Multiplicity and Abnormal Film Networking Invited Reviewed
Matthew D. Johnson, Luke Vulpiani, Keith B. Wagner, Kiki Tianqi Yu eds.
China's IGeneration: Cinema and Moving Image Culture for the Twenty-first Century page: 235-253 2014.5
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Shan Tong, Ran Ma
Journal of Chinese Cinemas page: 1 - 23 2023.11
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Toward Archiveology: Regarding Nguyen Trinh Thi’s Essay Films in Possibilities and Impossibilities of Art Archives - Theory and Experience in Asia
2023.8
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Kim Soyoung’s “Exile Trilogy”—“Retro” Toward an Affective Archive Invited Reviewed International journal
Ran Ma
philoSOPHIA: a Journal of TransContinental Feminism Vol. 11 page: 145 - 153 2021.12
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In/visibility in post-war Okinawan images 2
Kosuke Fujiki, Ran Ma
Journal of Japanese and Korean Cinema page: 1 - 2 2021.7
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Re-emerging voices and re-imagined landscapes: an interview with Chikako Yamashiro
Ran Ma, Kosuke Fujiki, Christopher M. Cabrera
Journal of Japanese and Korean Cinema page: 1 - 16 2021.7
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In/visibility in post-war Okinawan images 1
Ran Ma, Kosuke Fujiki
Journal of Japanese and Korean Cinema Vol. 13 ( 1 ) page: 1 - 3 2021.1
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記憶と身体を乗り越える──東北ドキュメンタリー三部作とポスト・福島ドキュメンタリー Reviewed
Ma Ran
『〈ポスト 3.11〉メディア言説再考』 page: 283-302 2019.2
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故郷的風景:高嶺剛的沖繩夢幻秀 International coauthorship
馬 然
ACT: Art Critique of Taiwan/藝術觀點 Vol. Issue No. 78 page: 82 - 91 2019
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記憶と身体を乗り越える――東北ドキュメンタリー三部作とポスト・福島ドキュメンタリー Reviewed
馬 然
<ポスト3.11〉メディア言説再考 Vol. 0 page: 283 - 302 2019
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Asian Documentary Connections and “The International Film Festival Short Circuit”: Yamagata International Documentary Film Festival (YIDFF) as a Case Study Reviewed International coauthorship
馬 然
The Palgrave Handbook of Asian Cinema Vol. 0 page: 171 - 189 2018
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Discussion and Interview: towards the Im/possible "Chinese-in-Japan" Cinema [Lun Tan: Li Ying de lisanyingxiang he bu/keneng de zairihuaren dianying ]
馬 然
Stage and Screen Review (Chinese) Vol. 06 page: 121 - 133 2018
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A Landscape Over There: Rethinking Translocality in Zhang Lu’s Border Crossing Films. Reviewed
Ran Ma
Verge: Studies in Global Asias Vol. 4 ( 1 ) page: 111-132 2018
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Contesting the National, Labelling the Renaissance: Exhibiting Taiwan Cinema at Film Festivals in Japan since the 1980s Reviewed
Ran Ma
Taiwan Cinema, International Reception and Social Change page: 53-68 2017.7
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Programming China at the Hong Kong International Film Festival and the Shanghai International Film Festival Reviewed
Ran Ma
Chinese Film Festivals: Sites of Translation page: 237-258 2017.3
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Eigasai Inside Out: Programming Japanese Cinema at Overseas and Japanese Film Festivals Today
Ran Ma
Stage and Screen Reviews Vol. 3 page: 21-31 2017
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a Landscape over there: Korean-Chinese filmmaker Zhang Lu's border-crossing films
Ran Ma
Stage and Screen Reviews Vol. 6 page: 80-87 2017
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a Landscape over there: Korean-Chinese filmmaker Zhang Lu's border-crossing films
Ran Ma
Stage and Screen Reviews Vol. 6 page: 80-87 2017
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an Overview of Asian documentary film festivals: Micro-histories and transnational connections
Ran Ma
Stage and Screen Reviews Vol. 1 page: 54-62 2016
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Chinese diaspora filmmaker Zhao Deyin and his Border-crossing films
Ran Ma
Stage and Screen Reviews Vol. 4 page: 66-72 2016
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an Overview of Asian documentary film festivals: Micro-histories and transnational connections
Ran Ma
Stage and Screen Reviews Vol. 1 page: 54-62 2016
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Spectacles, showcases, marketplaces (and even public spheres): Chinese film festivals as cultural industries Invited Reviewed
Ran Ma,Cindy Hing-Yuk Wong
Handbook of China's Cultural and Creative Industries page: 320-359 2016
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Chinese diaspora filmmaker Zhao Deyin and his Border-crossing films
Ran Ma
Stage and Screen Reviews Vol. 4 page: 66-72 2016
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an Interview with Taiwan Filmmaker Zhao Deyin and His Border-crossing Cinema Reviewed
馬 然
Stage and Screen Reviews (in Chinese) Vol. Vol.4 page: 66 - 72 2016
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In Praise of the 'New' Collectivism--Reflecting on a Strand of Japanese Independent Filmmaking Reviewed
馬 然
Stage and Screen Reviews (in Chinese) Vol. Vol. 5 page: 53 - 59 2016
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DMZ International Documentary Film Festival 2014 as a Projective Film Festival
Ma Ran, Yin Zhixi
( 6 ) page: 205 - 209 2015.3
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Regarding the Grassroots Chinese Independent Film Festivals : Modes of Multiplicity and Abnormal Film Networking Invited Reviewed
Matthew D. Johnson, Luke Vulpiani, Keith B. Wagner, Kiki Tianqi Yu eds
China's IGeneration: Cinema and Moving Image Culture for the Twenty-first Century page: 235-253 2014.5
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Ran Ma
Asian Cinema Vol. 24 ( 1 ) page: 105-123 2013.4
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Ran Ma
Asian Cinema Vol. 24 ( 1 ) page: 105-123 2013.4
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Ran Ma
Culture Unbound: Journal Of Current Cultural Research, Shanghai Special Issue Vol. 4 page: 147-168 2012