* Japanese*
2004/12 , University of Wisconsin-Madison , Department of Communication Arts , Film Studies , Doctor Course , Completed , UNITED STATES
1997/05 , University of Wisconsin-Madison , Department of Communication Arts , film studies , Master Course , Completed , Others
1993/03 , Nagoya University , Graduate School, Division of Letters , Japanese Language and Culture , Doctor Course Previous Term , Completed
Graduate School of Letters, Nagoya University , 2010/10 - 2017/03
Graduate School of Letters, Nagoya University , 2005/01 - 2007/03
Graduate School of Letters, Nagoya University , 2003/04 - 2004/12
School of Infomatic Sciences, Nagoya University , 1998/10 - 2003/03
Ph.D. , University of Wisconsin-Madison , Degree Conferrer , 2005/05
Master of Arts , University of Wisconsin-Madison , Degree Conferrer , 1997/05
Master of Arts , Nagoya University , Degree Conferrer , 1993/03
Cinema, Visual Media, Japan, Culture, History, Ecology
Art at large
Art at large
Art at large
What is the Cinema Audience? , Grant-in-Aid for Publication of Scientific Research Results / Scientific Literature , 2018/04 - 2019/03
Environmental issues through documentary: Cinema confronting the contemporary problem , Grant-in-Aid for Scientific Research(C) , 2015/04 -
Creating the Audience: Historical Relations between Cinema Reception and Social Subjects , Grant-in-Aid for Scientific Research(C) , 2012/04 - 2015/03
Historical Relations between Consumption and Education via Cinema: From Prewar Era to Occupation Era , Grant-in-Aid for Scientific Research(C) , 2009/04 - 2012/03
Historical Relations between Consumption and Education via Cinema: Prewar Japan , 2007/04 - 2009/03
Culturally Mediated Environmental Issues , 2016/07
Cinema as Popular Entertainment and Education in Imperial Japan , 2006/09 - 2007/07
Multplying Personas: The Formation of Film Stardom and Japan's Modernity , 2006/05
Creating Popular Audience: Cinema as Global Media and Popular Entertainment in Taisho Japan , 2006/04
Havard-Yenching Institute Visiting Scholar , 2006/09 - 2007/07 , Others
What is the Cinema Audience: A Modern and Contemporary History of Media and Social Subjects , University of Nagoya Press , Hideaki Fujiki , 2019
Making Personas: Transnational Film Stardom in Modern Japan , Harvard University Asia Center , Hideaki Fujiki , 2013
Multiplying Personas: The Formation of Film Stardom and Japan's Modernity , University of Nagoya Press , Fujiki Hideaki , 2007
Approaching Cinema Audiences , Shinwasha , Fujiki Hideaki ed. , 2011
Japanese Postwar as the Image , 2010
Problematizing life Documentary films on the 3.11 nuclear catastrophe , Fujiki Hideaki , FUKUSHIMA AND THE ARTS: NEGOTIATING NUCLEAR DISASTER , 90-109 , (2017)
Networking Citizens through Film Screenings: Cinema and Media in the Post-3.11 Social Movement , Hideaki Fujiki , Media Convergence in Japan , 60-87 , (2016)
Creating the Audience: Cinema as Popular Recreation and Social Education in Modern Japan , Hideaki Fujiki , Oxford Handbook of Japanese Cinema , 77-99 , (2014)
Implicating Readers: Tezuka's Early Seinen Manga , Hideaki Fujiki , Mechademia , No.8R , 195-212 , (2013)
Movie Advertisements and the Formation of a New Visual Environment in Interwar Japan , Hideaki Fujiki , Japan Forum , Vol.23 , No.1R , 67-98 , (2011)
De-naturalizing the Anthropocene: Documentaries on Landscape, Animals, and Place in Post-3.11 Nuclear Disaster , Hideaki Fujiki , Invited lecture, University of Minnesota , 2017 , Oral Presentation
Politicizing the Hyper-Radioactive Circulation: Documentaries (De-)territorializing Fukushima , Hideaki Fujiki , Knowledge/Culture/Ecologies Conference 2017 , 2017 , Oral Presentation
Politicizing the Circuit of Radioactive Matter through Documentary , Hideaki Fujiki , Visible Evidence Conference XXIV , 2017 , Oral Presentation
Making It Globally Imaginable: The Cinematic Representation of Radioactive Waste , Hideaki Fujiki , 11th Crossroads in Cultural Studies Conference , 2016 , Oral Presentation
Representing the Radioactive Environment: The Politics of Documentary Films about the Post-3.11 Nuclear Catastrophe , Hideaki Fujiki , International Conference on Non-Anthropocentric Perspectives on Politics , 2016 , Oral Presentation
Trans. David Bordwell, "Contemporary Film Sutdies and the Vissitudes of Grand Theory," inPost-Theory: Reconstructing Film Studies, edited by David Bordwell and NOel Carroll, pp. 3-36. , 2000 , Others (Magazine and Newspaper Article, etc)
Review of 1968: Youths' Revolts and Their Background/ The End of the Revolts and Their Legacy, by Oguma Eiji (Tokyo: Shin'yosha, 2009) , 2009/09 , Policy Recommendation, Commentary Explanation, and Book Review, etc
Review of Michael Baskett's Attractive Empire: Transnational Film Culture in Imperial Japan (Honolulu: University of Hawai`i Press, 2008) , 2009/07 , Policy Recommendation, Commentary Explanation, and Book Review, etc
Review of Valentino: Rediscovering an Icon of Silent Film,DVD from Flicker Alley, 2007 , 2009/01 , Policy Recommendation, Commentary Explanation, and Book Review, etc
Review of Thomas LaMarre's Shadows on the Screen: Tanizaki Jun'ichiro on Cinema and "Oriental" Aesthetic (Ann Arbor: University of Michigan Center for Japanese Studies, 2005)" , 2008/12 , Policy Recommendation, Commentary Explanation, and Book Review, etc
Classical Film Theory （2015）
Japanese Cinema before 1945 （2014）
Society for Cinema and Media Studies , Others
Association for Cultural Studies , UNITED KINGDOM
Association for Asian Studies , Others
The Japan Society of Image Arts and Sciences , JAPAN
My particular intention is to analyze cinema and visual cultures from a global perspective.
Updated on 2019/01/22
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