Papers - FUJIKI, Hideaki

Japanese Cinema and Its Multiple Perspectives Reviewed International coauthorship

Hideaki Fujiki and Alastair Phillips

The Japanese Cinema Book,     page： 1 - 22   2020.5

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The Spectator as Subject and Agent Reviewed

Hideaki Fujiki

The Japanese Cinema Book     page： 53 - 67   2020.5

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トーマス・ラマール——アニメを通して思考するメディアの理論化

藤木秀朗

メディア学の冒険者たち     page： 272 - 285   2023.8

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Diverging Imaginations of Planetary Change: The Media Franchise of Japan Sinks Invited Reviewed International coauthorship

Hideaki FUjiki

Eco-Disasters in Japanese Cinema     2024.7

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映画に媒介された放射性廃棄物――環境映像批評、グローバルな倫理的想像力、『チャルカ』（2017）

藤木秀朗

JunCture 超域的日本文化研究   ( 12 ) page： 84 - 109   2021.3

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Networking Citizens through Film Screenings: Cinema and Media in the Post-3.11 Social Movement Reviewed

Hideaki Fujiki

Media Convergence in Japan     page： 60-87   2016.7

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アントロポセンの脱自然化―3.11原発災害後のドキュメンタリーにおけるランドスケープ、動物、場（所）」

藤木秀朗

JunCture 超域的日本文化研究   ( 8 ) page： 48〜65   2017.3

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Language：Japanese   Publishing type：Research paper (scientific journal)  

Problematizing life Documentary films on the 3.11 nuclear catastrophe

Fujiki Hideaki

FUKUSHIMA AND THE ARTS: NEGOTIATING NUCLEAR DISASTER     page： 90-109   2017

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Language：English   Publishing type：Research paper (scientific journal)  

Web of Science

総力戦とトランスメディア的消費文化―「国民」の再定義と矛盾をめぐって

藤木秀朗

JunCture 超域的日本文化研究     page： 146〜160   2018.3

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Language：Japanese   Publishing type：Research paper (scientific journal)  

「国民」への動員―総力戦と「新興娯楽」による社会主体の更新

藤木秀朗

名古屋大学文学部論集 史学篇   ( 62 ) page： 147〜167   2017.3

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映画観客と「東亜民族」（下）―帝国日本の総動員システムをめぐって Reviewed

藤木秀朗

メディア史研究   ( 41 ) page： 68〜90   2017.2

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映画観客と「東亜民族」（上）―帝国日本のファンタジー Reviewed

藤木秀朗

メディア史研究   ( 40 ) page： 58-79   2016

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文化としてのゴミ　序

藤木秀朗

JunCture 超域的日本文化研究   ( 12 ) page： 7 - 9   2021.3

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Melodrama, Modernity and Displacement: That Night’s Wife (1930) Reviewed International coauthorship

Ryoko Misono with Hideaki Fujiki and Alastair Phillips

The Japanese Cinema Book     page： 325 - 334   2020.5

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序論――多様な観点からの日本映画 International coauthorship

藤木秀朗、アラステア・フィリップス

JunCutre 超域的日本文化研究   ( 11 ) page： 74 - 94   2020.3

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DOI： info:doi/10.18999/juncture.11.74

Creating the Audience: Cinema as Popular Recreation and Social Education in Modern Japan Reviewed

Hideaki Fujiki

Oxford Handbook of Japanese Cinema     page： 77-99   2014.12

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「市民」と映画のネットワーク―3.11後の原発をめぐる社会運動の中で

藤木秀朗

JunCture 超域的日本文化研究     page： 114-129   2014.3

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Implicating Readers: Tezuka's Early Seinen Manga Invited

Hideaki Fujiki

Mechademia   ( 8 ) page： 195-212   2013.12

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Movie Advertisements and the Formation of a New Visual Environment in Interwar Japan Reviewed

Hideaki Fujiki

Japan Forum   Vol. 23 ( 1 ) page： 67-98   2011.6

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『ザ・コーヴ』と情動の文化

藤木秀朗

JunCture 超域的日本文化研究   Vol. 2   page： 14-35   2011.2

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制度へいかに介入するか――「国立メディア芸術総合センター」構想から考える日本文化研究

  ( 1 ) page： 98～115   2010.1

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Visual Historiography in Japanese Photographic Collections of the Postwar Era Invited Reviewed

Hideaki Fujiki

Review of Japanese Culture and Society   Vol. XXI   page： 51-70   2009.12

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Benshi as Stars: The Irony of Voice Performer's Popularity and Respectability in Japanese Cinema Reviewed

Hideaki Fujiki

Cinema Journal   Vol. 45 ( 2 ) page： 68-84   2006.2

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映画の歴史化、体系化、定義――一九二〇年代前半の映画文化の語り

藤木秀朗

日本映画論言説体系　第3期　活動写真の草創期   Vol. ９   2006

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563-590

エスノグラフィーとしての名鑑

藤木秀朗

最尖端民衆娯楽映画文献資料集   Vol. 5   page： 478-488   2006

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American Film Star Unsettling Japanese Culture: A Cross-cultural Analysis of Clara Bow's Image in 1920s Japan Reviewed

Hideaki Fujiki

Journal of the School of Letters   Vol. 1 ( 1 ) page： 1-18   2005.3

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Dual Persona: Onoe Matsunosuke as Japan's Early Cinema Star Reviewed

Hideaki Fujiki

ICONICS   Vol. 7   page： 157-180   2004.3

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制度としての映画の批判――岩崎昶の一貫性と揺らぎ

藤木秀朗

日本映画論言説大系第2期映画のモダニズム期   Vol. 1   page： 1-23   2004

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Making the Body Expressive: Japan's Early Conceptions of Film Acting and the Murata Minoru System

Hideaki Fujiki

Studies in Informatics and Sciences   Vol. 16   page： 1-26   2002.11

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黒澤をめぐる思想のアイロニー――戦後日本における作家主義とアート・シネマの問い直しに向けての序説

藤木秀朗

FB   Vol. 15   2001.4

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日本の近代性とアメリカの映画スター――クララ・バウのイメージ流通をめぐって Reviewed

藤木秀朗

映像学   Vol. 65   page： 5-24   2000.11

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Negotiation in Making Sense of Documentary: Its Reception in America of the 1930s

Japanese Journal of Image Arts and Sciences   ( 62 ) page： 38-52   1999

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Reconstructing Documentary Theories for Cultural Analyses

Studies in Informatics and Sciences (Nagoya University)   ( 9 ) page： 31-44   1999

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What Made Mizoguchi Cut?: Cutting and Long-Take in NANIWA ELEGY and UGETSU

FB   ( 12 ) page： 195-209   1998

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Assimilating Melodrama into Motion Pictures: Practices of the American Film Industry in 1908

Japanese Journal of Image Arts and Sciences   ( 59 ) page： 23-40   1997

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A System between Film and Spectator: Classical Cinema and VAGABOND

Science of Language   ( 10 ) page： 165-183   1997

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Viewer as the Subject of Congnition, Hisotry, and Analysis: Premises in Study of Ozu byNeoformalist

Sciences of Language   ( 8 ) page： 125-144   1995

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Language：Japanese