Faculty Profiles - KAWANISHI Hideya

Papers - KAWANISHI Hideya

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大学合唱の戦後史－うたごえ運動・大学紛争・高度経済成長－ Invited

河西秀哉

昭和のくらし研究 ( 22 ) page： 5 - 17 2024.3

地域が天皇制に出会うとき : 陸軍特別大演習と全国植樹祭 Invited

河西秀哉

人民の歴史学 ( 237 ) page： 16 - 26 2023.9

うたごえ運動における「うた」 : 1950年代初頭までの分析 Invited Reviewed

河西秀哉

Juncture ( 14 ) page： 86 - 97 2022.3

うたごえ運動の一九六〇年代 : 運動方針の変化から (社会運動の一九六〇年代再考)

河西秀哉

年報・日本現代史 ( 26 ) page： 39 - 68 2021

象徴天皇制への転換と定着－皇室記者・藤樫準二の言説を中心に－」 Invited Reviewed

河西秀哉

日本思想史学 ( 53 ) page： 4 - 10 2021

平成の天皇制を歴史学として研究するには? (小特集平成史の可能性)

河西秀哉

日本歴史 ( 853 ) page： 52 - 61 2019.6

戦争に対する反省と人々との近さメディアと作り上げた平成流天皇 (特集「平成」という風景)

河西秀哉

( 335 ) page： 4-11 2018.4

The Theory of Utagoe Movement in the 1950s

( 707 ) page： 7-19 2017.9

The Rhapsody of "Abdication" and the Symbolic Monarchy

( 954 ) page： 37-43 2017.2

「生前退位」をめぐる問題と象徴天皇制

河西秀哉

季論21 : intellectual and creative ( 38 ) page： 121-131 2017

うたごえ運動と「ひよっこ」 (ソヴィエトの世紀) -- (portfolio 戦後日本知識史から)

河西秀哉

アリーナ = Arena ( 20 ) page： 141-144 2017

戦前から揺れ動いてきた近代天皇制「おことば」が突きつけた象徴の意味 (特集いまこそ考えるべき「天皇制」)

河西秀哉

( 318 ) page： 20-27 2016.11

対談「生前退位」は簡単ではない (特集天皇と皇室の将来)

河西秀哉, 原武史

中央公論 Vol. 130 ( 9 ) page： 32-41 2016.9

敗戦後における昭和天皇の「日本」意識 (特集国境未満の異文化接触/衝突/浸潤)

河西秀哉

Juncture : 超域的日本文化研究 ( 7 ) page： 30-37 2016.3

戦争責任論と象徴天皇制 (2015年度歴史学研究会大会報告環境から問う帝国/帝国主義) -- (近代史部会戦後70年からの問い直し : 象徴天皇制・植民地支配の未清算・植民地認識)

河西秀哉

歴史学研究 = The journal of historical studies ( 937 ) page： 95-103 2015.10

The "Symbolic Emperor" System in Postwar Japanese Society

( 784 ) page： 53-64 2015.8

How Do I Teach Women History in Japanese High Scholls?:The Study of Modern History

KAWANISHI Hideya

Women's studies forum Vol. 29 page： 119-133 2015.3

Language：Japanese Publishing type：Research paper (scientific journal)

This paper considers how history relating to women is taught in Japanese high schools. Based on my examination of eight textbooks that were created in line with the newly revised (March 2009) curriculum guidelines, I show how women's issues are covered. In particular, this paper focuses on modern history.Compared to the textbook of Japanese History B, the Japanese history A textbook covers a variety of women. The way women are covered also differs for each textbook.In teaching practice, I set as a theme the consideration of employment and family problems during the High Economic Growth Period. In this way, it is possible to see history from both the male and female points of view. I also discuss history, which makes students think about living in the present, by covering the diverse forms that various sexualities may take.

The mass media and the crisis in the imperial system after Japan's defeat

河西秀哉

Juncture : 超域的日本文化研究 ( 6 ) page： 86 - 99 2015.3

Depictipon of Women in History Taught in Japanese High Schools:The Study of Modern History

KAWANISHI Hideya

Studies Vol. 61 ( 2 ) page： 51 - 61 2014.12

Publisher：神戸女学院大学

本稿は、高校の日本史の授業で、女性に関する歴史がどのように教えられているのかを検討するものである。2009年3月に改正された新しい学習指導要領に基づいて作成された日本史Ｂの教科書8冊を検討し、その中で女性の問題がどのように取り上げられているのかを明らかにした。本稿では特に、近現代史をその検討対象としている。男性に比べて、女性の人物は教科書で取り上げられることも少ない。また、取り上げられる女性も特定の人物に集中している。女性に関する記述は、曖昧な部分も少なくない。こうした現状に対して、女性史・ジェンダー史の研究成果を踏まえた教科書叙述の必要性を主張した。一方で、ただ女性に関する教科書の記述を多くすればよいものではない。多様な性の、多様なあり方を取り上げることで、今を生きることを生徒に考えさせる歴史叙述のあり方についても論じた。This paper considers how history relating to women is taught in Japanese high schools. Based on my examination of eight textbooks that were created along the newly revised (March 2009) curriculum guidelines, I show how women's issues are covered , In particular, this paper focuses on modern history. Fewer women than men are covered in the textbookds. Primarily, only a specific group of female figures is considered. Further, there are more than a few ambiguous parts in the passages relating to women.I argue that it is necessary to write textbooks that depict the research accomplishments of women in history. However, textbook passages on women should not simply be increased. I discuss history writing that, by covering the diverse forms of diverse sexualities take, makes students think about living in the present.

久邇宮邦彦王(くにのみやくによしおう) : 皇室の冷遇を招いた、ふたつの"婚約事件" (特集皇族と宮家) -- (特集ワイド近代を生きた宮家の肖像 : 知られざる波乱の生涯を読む)

河西秀哉

歴史読本 Vol. 59 ( 8 ) page： 80-85 2014.8

Prostitution in Modern Japanese History

KAWANISHI Hideya

Women's studies forum Vol. 28 page： 27 - 46 2014.3

Publisher：神戸女学院大学

I have discussed prostitution in the modern period in Japan. In 1872, following the Maria Luz Incident, Japanese bonded prostitution, which had continued from the early modern period onward, was finally addressed by Geishogi kaiho rei(芸娼妓解放令), a law that emancipated prostitutes. This law was enacted as part of Japan's Westernization movement, and it ostensibly prohibited feudalistic bonded labor. In reality, however, prostitution continued as a business based on the "free will" of the women involved. This form of prostitution was constructed as a result of observing the way this industry functioned in Europe. In this way, the feudal system of prostitution was reformed into a "licensed prostitution system," based on western-style systems for regulating prostitution. It can therefore be said that prostitution was officially approved by the state. While the Japanese government did conduct crackdowns on unlicensed prostitution, it made no attempts to eliminate the system itself. After the Second World War, the Japanese government set up the Tokushu Ian Shisetsu Kyokai (literally, the "special comfort facility association"), referred to in English as the Recreation and Amusement Association (RAA). This association provided prostitutes for occupying Allied troops. The government showed active involvement with this association by, for example, providing loans to its facilities. The fact that these facilities were introduced just three days after Japan's surrender gives us an idea of the government's attitude towards prostitution. The RAA was discontinued in March the following year because of the General Headquarters of the Supreme Commander of the Allied Powers (GHQ). The women who worked in the facilities were dismissed and ended up working as street prostitutes. On January 22, 1946, the GHQ issued the memorandum "Abolition of Licensed Prostitution in Japan," and the modern-era system of licensed prostitution was abolished as a result .However, the Japanese authorities had their own attitude toward prostitution. It was ultimately allowed to continue and the Akasen districts (literally, "red line" districts-comparable with the term red-light district ) emerged. While the government did sanction these Akasen districts, it also cracked down on unlicensed street prostitution and made efforts to place street prostitutes in protective custody, where they would be treated for sexually transmitted diseases and receive correctional rehabilitation. The direst comments of the street prostitutes who were taken into custody were transcribed and archived. A read-through of these accounts reveals that our image of street prostitution differs from the reality. Many different types of women worked as street prostitution. These included highly educated women, women who had lost their husbands or other family members in the war, and women who, after entering street prostitution, found themselves unable to make a living in any other way. After the occupation of Japan ended, the movement to abolish the Akasen districts grew in strength, but there was little progress in terms of legislation.

国民国家と天皇制 : 「元首」と「象徴」 (特集アメリカと天皇制)

河西秀哉

福音と世界 Vol. 68 ( 10 ) page： 8-13 2013.10

天皇制と民主主義 : 敗戦直後の知識人における天皇制擁護の実相

河西秀哉

Notre critique : history and criticism ( 6 ) page： 2-17 2013.5

The Image of the Empress after Japan's Defeat in the Asia-Pacific War

KAWANISHI Hideya

Women's studies forum Vol. 27 page： 21 - 39 2013.3

Publisher：神戸女学院大学

This paper will shed light on changes in the image of the Empress in Japan after the country's defeat in the Asia-Pacific War. Research conducted on the monarchy in Japan has focused primarily on the image of the Empress and its role before Japan's defeat. Research has also examined the image of the Emperor and Crown Prince,but there has not been much research conducted on the Empress and her image.However,afterJapan's defeat,the monarchy gained support by strengthening its relationship with the public,and the image of the Empress in the minds of the public is considered to have had an influence. There are two essential aspects of the image of the Empress projected to the people.The first is the image of the Empress as a"mother."The media rampantly portrayed the Empress in her role as mother to the Crown Prince and the princesses,and in doing so,established the image of the Empress as"mother" to the people as well. The second aspect is the image of the Empress as a "wife." The image of the Empress supporting her husband,the Emperor,was conveyed to the public by the media.The media also ran a great number of stories that portrayed the Emperor and Empress as down-to-earth and human.Broadly speaking,after Japan's defeat,the image of the Empress as a domestic role model was established.As a result,the imperial family,which was earlier portrayed as being focused around the Emperor alone,was portrayed as the ideal family to the people and thus gained popular support.Despite these changes,the image of the role of"Empress" was old-fashioned,and a substantive change in the image of the Emperor had to wait until the arrival of Crown Princess Michiko.

近現代天皇研究の現在 (特集 2012年歴史学の焦点)

河西秀哉

歴史評論 ( 752 ) page： 25 - 35 2012.12

A Study of Choruses and the Logic Behind Their Use During the Asia-Pacific War

KAWANISHI Hideya

Studies Vol. 59 ( 1 ) page： 49 - 61 2012.6

Publisher：神戸女学院大学

The article aims to identify the role of choruses and what they achieved in the Asia- Pacific War. Japan had employed all national powers toward the Asia-Pacific War. To achive victory, the citizenry needed to mobilize and collect all available resources, including the ue of song. These songs were not considered art; instead, they were used as a proactive tool to increase unity in the workforce. In addition, the Great japan Patriotic Industrial Association, which brought laborers into the all-out war effort, was proactively engaged in welfare movements. It was through this effort that musicians were able to contribute during the war. Musicians consistently aimed to socialize music and attempted to popularize music through the welfare movements. From the perspective of the war effort, their use of choruses was regarded as a tool for increasing workplace unity. Their logic was to use music to eliminatte the classism in the workplace, which reflected an ieal behaind the war effort in general.

Correspondence of the Imperial Court to a New Imperial-Household Image

河西秀哉

二十世紀研究 ( 13 ) page： 43 - 60 2012

Tenno system and modernization

Journal of Japanese history. ( 582 ) page： 121-144 2011.2

"Power" of chorus: range to chorus movement and Utagoe movement after W.W.2

Notre critique ( 3 ) page： 2-22 2010.5

敗戦後の長谷川如是閑 : その学問・教育論と秩序論をめぐって

河西秀哉

中央大学史紀要 Vol. 15 page： 1 - 39 2010.3

The transfer and the appraisal at Kyoto University Archives

Research bulletin of Kyoto University Archives ( 8 ) page： 69-87 2010.2