Papers - OGAWA Shota Tsai
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Reinhabiting the mock-up gallows: the place of Koreans in Oshima Nagisa's films in the 1960s Reviewed
Shota T. Ogawa
Screen Vol. 56 ( 3 ) page: 303-318 2015.8
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“Zainichi Cinema” in a Global Frame: Apple TV+’s Pachinko (2022) and the Cosmopolitan Middlebrow Reviewed
Shota T. Ogawa
Transnational Asia: An Online Interdisciplinary Journal Vol. 5 ( 1 ) 2023.2
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Decolonizing (through) Obsolete Media: How I Learned to Stop Worrying and Love the Travelogue Invited
Shota T. Ogawa
Non-Fiction Vol. 5 2023.2
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Testimony Film and Archive Turn: Regarding the Legibility of Park Soo-nam's Fragmentary Outtakes Reviewed
Shota T. Ogawa
Eizōgaku (The Japan Society of Image Arts and Sciences) Vol. 107 page: 122 - 139 2022
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Ticklish Contact Zones: Colonial, Inter-Imperial, and Trans-Pacific Encounters in/around the Japanese Empire Reviewed
Shota T.Ogawa
Media Fields Journal Vol. 15 2020.3
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A long way home: the rhetoric of family and familiarity in Yang Yong-hi’s Pyongyang Trilogy Reviewed
OGAWA, Shota T
Journal of Japanese and Korean Cinema Vol. 9 ( 1 ) page: 30 - 46 2017.2
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Revisiting Through the Night (2002): a paradigm or anomaly in Japanese-Korean co-production Reviewed
Shota Tsai Ogawa
Journal of Japanese and Korean Cinema Vol. 6 ( 2 ) page: 152-166 2014.10
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Shota Ogawa
Asia-Pacific Journal: Japan Focus Vol. 12 ( 38 ) page: 1-20 2014.6
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Oshima in Retrospect(ives): The Question of Corporeality in Daitōa Sensō (1968) Invited
Shota Ogawa
Perspectives on Oshima Nagisa page: 11-31 2015
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OGAWA, Shota T
Trans-Asia Photography Review Vol. 8 ( 2 ) 2018.4
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Decolonizing (through) Obsolete Media
Shota T. Ogawa
Non-Fiction 2023.2
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Small-Gauge Film Library as Interwar Graphic Culture--Focusing on Sakura-graph Invited
Shota Ogawa
The Bulletin of Graphic Culture Research Grants Vol. 4 page: 76 - 86 2022.11
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BOOK REVIEW MA Ran, <i>Independent Filmmaking across Borders in Contemporary Asia</i> Amsterdam University Press, 2020 Invited
OGAWA Shota
eizogaku Vol. 106 ( 0 ) page: 129 - 133 2021.7
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Testimony Film and Archive Turn: Regarding the Legibility of Park Soo-nam's Fragmentary Outtakes Reviewed
Shota T. Ogawa
Eizōgaku (The Japan Society of Image Arts and Sciences) Vol. 107 page: 122 - 139 2020
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映画保全のフェスティバル ナイトレート・ピクチャー・ショー Invited
小川翔太
JunCture(ジャンクチャー) 超域的日本文化研究 Vol. 8 page: 220-222 2017.3
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Hou Hsiao-hsien in Japan: From Taiwan Trilogy to Café Lumiere
OGAWA Shota Tsai
Le Cinema Taiwanais/Taiwan Cinema page: 150-161 2009